The Oscar Nominations!!!

Best Picture
Babel
Little Miss Sunshine
The Departed
The Queen
Letters from Iwo Jima

A Black Musical beating Clint Eastwood, I was so naive. Since Dreamgirls was the gayest film, I should not be as shocked by it being left out as I am.
How I did in predictions: 4 out of 5....like everyone I missed Letters for Dreamgirls

Best Director
Martin Scorsese - The Departed
Alejandro González Iñárritu - Babel
Stephen Frears - The Queen
Paul Greengrass - United 93
Clint Eastwood - Letters of Iwo Jima

Clint.......please stop making movies for at least 3 years.......let some other people get recognition. You know how the Academy worships you. Guillermo del Torro and the Sunshine team should have been here.
How I did in predictions: 4 out of 5....like everyone I missed Clint for Condon

Best Actor
Forest Whitaker - Last King of Scotland
Peter O'Toole - Venus
Will Smith - The Pursuit of Happyness
Ryan Gosling - Half Nelson
Leonardo DiCaprio - Blood Diamond

Now.......none of these nominees are in a picture nominated for the big prize, never seen that happen. And boo to DiCaprios nomination. Should have been for The Departed.
How I did in predictions: 4 out of 5. Last minute placed Baron Cohen in the mix and took out Leo

Best Actress
Helen Mirren - The Queen
Judi Dench - Notes on a Scandal
Meryl Streep - The Devil Wears Prada
Penelope Cruz - Volver
Kate Winslet - Little Children

Great line up....but predictible.
How I did in predictions: 5 out of 5 Yippe!!

Best Supporting Actor
Eddie Murphy - Dreamgirls
Alan Arkin - Little Miss Sunshine
Djimon Honsou - Blood Diamond
Jackie Earle Haley - Little Children
Mark Wahlberg - The Departed

Thank God no Jack!!!!! Strong line up.
How I did in predictions: 4 out of 5, had Jack instead of Mark.

Best Supporting Actress
Jennifer Hudson - Dreamgirls
Rinko Kikuchi - Babel
Cate Blanchett - Notes on a Scandal
Adriana Barraza - Babel
Abigail Breslin - Little Miss Sunshine

Was hoping for Toni Collette to pull an upset. Oh well, strong category.
How I did in predictions: 5 out of 5 Yippe!!

Original Screenplay
Babel
Letters from Iwo Jima
Little Miss Sunshine
Pan's Labyrinth
The Queen

Aside from Letters, Brilliant!
How I did in predictions: 4 out of 5 totally did not see the Clint love coming.

Adapted Screenplay
Borat
Children of Men
The Departed
Little Children
Notes on a Scandal

Now we are talking! Fantastic!
How I did in predictions: 3 out of 5, had The Devil Wear Prada and Dreamgirls and not Little Children and Borat.

Foreign
After the Wedding
Days of Glory
Lives of Others
Pan's Labyrinth!
Water

No Volver!!!! That is horrible!!! I did not do these predictions

Animated
Cars
Happy Feet
Monster House

Go Happy feet!!

Achievement in art direction
Dreamgirls
The Good Shepherd
Pan's Labyrinth
Pirates of the Caribbean: Dean Man's Chest
The Prestige

Hmmmm, This should go to Pan's.....notice no Best Picture nominees in here.

Achievement in cinematography
The Black Dahlia
Children of Men
The Illusionist
Pan's Labyrinth
The Prestige

Pan's or Children of Men.....notice no Best Picture nominees in here either.

Achievement in costume design
Curse of the Golden Flower
The Devil Wears Prada
Dreamgirls
Marie Antoinette
The Queen

About time they realised that contemporary design is just as difficult. Go The Queen and The Devil Wears Prada!

Best documentary feature
Deliver us from Evil
An Inconvenient Truth
Iraq in Fragments
Jesus Camp
My Country, My Country

Ohh No Dixie Chicks....Boo! Go AL GORE!!

Achievement in film editing
Babel
Blood Diamond
Children of Men
The Departed
United 93

Guess Best Picture is between Babel and The Departed then.

Achievement in makeup
Apocalypto
Click
Pan's Labyrinth!

Go Pan's!!!

Original score
Babel
The Good German
Notes on a Scandal
Pan's Labyrinth!
The Queen

Go Pan's!!!

Original song
"I Need to Wake Up" - An Inconvenient Truth
"Listen" - Dreamgirls
"Love You I Do" - Dreamgirls
"Our Town" - Cars
"Patience" - Dreamgirls

Go Dreamgirls 'Love you I do'

Achievement in sound editing
Apocalypto
Blood Diamond
Flags of Our Fathers
Letters from Iwo Jima
Pirates of the Caribbean: Dean Man's Chest

Um........go Pirates?

Achievement in sound mixing
Apocalypto
Blood Diamond
Dreamgirls
Flags of Our Fathers
Pirates of the Caribbean: Dean Man's Chest

Go Dreamgirls!

Achievement in visual effects
Pirates of the Caribbean: Dean Man's Chest
Poseidon
Superman Returns

zzzzzzzzzzzzzzzz

Happy Oscar Nominations Eve!!!!

I am done! There are too much second guessing going on in my head. My final predictions are up. Come on AMPAS!!! Do your worst!!!

My no guts no glorys are:

Pan's knocks out The Queen for Best Pic
Guillermo and the Sunshine team make it in for Best Director
Leo is left with no Actor nom, making way for Sasha Baron Cohen
Toni Collette takes a Best Supporting Actress nom
James McAvoy shows up in Supporting Actor in the biggest showing of category fraud since...last year.

Good night and Good Luck. Heeeeeee!

The Underrated

There are always those performances that go unnoticed/ignored each year in the hoopla surrounding awards season. This is usually due to another more known actors hogging the spotlight, or the film itself over powers the performance.

And the unsung heroes are.

Sergi Lopez – Pan’s Labyrinth.
The horrors within the labyrinth did not compare to the horror of Captain Vidal. Sergi Lopez plays him as a man so obsessed by his military position and unborn child that nothing will stand in his way. His disregard for the lives around him is shocking, but so are the glimpses of humanity Lopez subtle injects. Human monsters are always the most upsetting

Maribel Verdu – Pan’s Labyrinth.
The polar opposite to Lopez. Verdu’s Mercedes appears unfeeling and cold. She displays almost no emotion, and then slowly you begin to see her come to life. Hate, love, pain and fear come to the surface of her face and warms your heart. The subtlety of this performance lingered with me so long after the film finished, a true mark of an actress who understands her craft.

Leslie Phillips – Venus
Known for playing the Sorting Hat in Harry Potter, Leslie Phillips shone this year in his seemingly over the top performance as Peter O’Toole’s overly theatrical Best Friend in Venus. He shoots out numerous witty one liners, then, when you expect him to go overboard with emotion, he becomes quiet and true. In his silence, he gave years of back story….not an easy task.

Vanessa Redgrave – Venus
She make amazing use of her little bit of screen time. The moment she fills the screen you understand her, and know what she has been through with her husband, and why, after all he has done, she allows him back into her life. What Venus had over most other films this year were vanity free performances from its cast, and the result was emotional truth.

Toni Collette – Little Miss Sunshine
God I love Toni. Not once in the film did I notice Toni Collette. What I saw was Sheryl Hoover, a mother desperately trying to keep her family happy. Unable to juggle every task fully, she buys KFC for dinner. She's the emotional rock, but stays in the back ground while the other, more colourful family members take centre stage. A honest portrayal of being a mother.

Sook-Yin Lee – Shortbus
I really can’t think of a braver performance than this one. Lee gave herself to her directors vision fully, and gave a quiet performance of humor, desperation, and yearning. In the colourful world that Shortbus inhabits, playing it reserved can get your performance lost, luckily Sook holds so much power and emotional honesty in her face that she shone like a beacon

Stanley Tucci – The Devil Wear Prada
Oh how I wish there was more made of his performance. As Miranda’s right hand man Tucci shows the years of hard work behind their relationship, and the resentment he has towards her, and the tight rope he still has to walk. Genius! And he looked kind of sexy too!

The Overrated

Overrated performances of the year. A touchy subject. For someone’s Roberto Benigni is someone else’s Daniel Day Lewis. But this year I want to comment on the years most overly praised works (IMHO). In no particular order.

Forest Whitaker – Yes, really. Don’t get me wrong, I felt it was very good, but it was not the second coming the critics said it was. For starters he was playing a well known subject. There must be hours of footage on Idi Amin for Forest to sit down and copy from. However, unless it can transcend mimicry to become less about the actor showcasing talent in impressions and more about the subjects psyche then why should I care? I mean why should I praise his work over that of James McAvoy in the same film? Is it just because I have a reference to compare to? That is just lazy appreciation. I do a pretty mean Bunsen Honeydew impression……where is my Oscar?

Daniel Craig - So there is a new Bond, and so they got a respected actor to play him. Ladies and Gentlemen wake up!!! This is James Bond, just without gadgets and women with silly names. It is not the second coming either!! Sexy though

Jack Nicholson – Why oh why are people falling over themselves for this performance? This is not acting, this is rehashing old characters with new dialogue. If you combine The Joker from Batman and Daryl Van Horne from The Witches of Eastwick and you get Frank Costello from The Departed. The common denominator is they are all played by Jack Nicholson. Please man….give us something new instead of all this repeating. You have 3 Oscars, all for variations on a theme, get a fourth for somthing new.

Cate Blanchette - Nineteen films in six years…….talk about saturating the market. As much as I admire this very talented actress and am of the opinion that she is one of the better actresses currently working, I can’t help but see she was woefully miscast in Notes on a Scandal. The character is naïve and foolish, Cate Blanchette is neither, and boy does it ever show. I spent the whole film saying “Cate ,you should know better”. Had she succeeded in her performance, the thought should have never crossed my mind.

Brad Pitt - Oh Brad Brad Brad. Not topping up on Just for Men and forgetting to moisturize for a month does not a performance make. Sure you cry, run, shout, sweat and cry some more, but that alone does not make a performance. I did all of that yesterday.

Mini Review number 7 - Venus

This will not be so much a review of the movie as it will be thoughts on performance. Peter O'Toole has never ever won a competitive Oscar. Sure he won an honorary one, but that is usually what the Academy give to someone they expect to die soon, or never make anything award worthy again. In Peter O'Toole's case it was probably a combination of the two and how he has proved the latter wrong. When an actor becomes great, is when they realise that vanity will always prevent them inhabiting the character they play. The boundary between actor and role is blurred so much, that you forget you are watching a performance. In Venus there is no showy scene. He doesn’t shout, cry, die painfully or have a breakdown. He just is. In an industry where awards are given for attention grabbing acting, it is nice to see so many of the older generation of actors, this year, proving that subtlety can resonate so much stronger. O’Toole is greatly supported by Leslie Phillips and Vanessa Redgrave, two other veteran actors showing the youngsters how it is done. The movie is flawed, but the performances are sublime.

The Producers Guild announce!!

And Little Miss Sunshine is the winner!!! So happy as this film is one of my favs of the year, but also for the first time in ages there is no clear front runner going into the Oscar nominations! The Departed has won a few critics, as has The Queen and United 93. Babel won the Globe Drama, and dreamgirls won the Globe Comedy/Musical (lets face it, they will always give it to the Musical movie...no matter what). And now Little Miss Sunshine has the PGA. Looking very strong going into Oscar noms now.

New Gay on the Block!!

Well not exactly. Considering the music industry has been buzzing about him for a while now, even before hearing his debut album. And now he looks set to have a top five, if not number one hit on his hands over here in the UK. Young, talented and gay. Move over Jake Shears.....here is Mika!!!

Oh My God........Girl friend needs a new manager

Matthew Knowles is now blaming racism on the fact Beyoncé (with the accent on the 'e' to make her fancy) lost Best Actress in a Comedy/Musical to Meryl Streep. For starters there are six categories for movie acting and three of them were won by black actors. hmmmm. Add this to the fact that Beyonce lost to Meryl Streep (Godess of all thespians), and you have one very delusional man. What I find upsetting in this whole laughable mess is how some people are so quick to scream racism in order to cover up personal failures. Honey, get a grip. Get your daughter to RADA and stop making excuses for her lack of acting talent.

Shame on you Madonna

I love the woman, but I really thought she would be more responsible than wearing a fur coat just because she was given it. What happened to all her Kabbalah "we are what we put out there" babble. Many people will say "well you wear leather shoes and belts" and yes that is true, but these days I only buy the fabric/plastic/pleather options. And beside, unless you are a Sherpa, it is not that cold that you need to wear fur. Just check with global warming if you don't believe me. Just my little rant......back to the shallow halls of the Academy Awards soon.

Thank you to kcaruana over at You tube for this!

Mini Review number 6 - exceptionally short notes on a few.

United 93 A-
The people who feel this film is ‘too soon’ need to wake up. Paul Greengrass has crafted a powerful and humbling tribute to the men and women who gave their lives to save others. All the more powerful to know the friends and family of the victims gave their blessing and support. I am glad I watched, while others had their head in the sand.

Little Miss Sunshine A-
A road movie to put into check all those that came before it. The Hoover family drive to California in a bright yellow mini van so that their daughter can compete in the Little Miss Sunshine beauty contest. What sounds like simple, light fair is doused in dark realism by the assured direction of Jonathan Dayton and Valerie Faris, the hysterical and emotionally honest script by Michael Arndt, and the actors who’s level of realism make you believe they are actually a family unit. Plus a comedy that can make ME laugh from beginning to end says a lot.

Volver A-
Almodovar + Penelope Cruz = Movie magic. Å sexy, supernatural, family drama filmed in Technicolor with murder, prostitutes and ghosts……OH MY!!!!!

Children of Men B+
A bleak and vivid drama set in England 2027, when all the world's women are suffering from an inexplicable infertility. The result is political turmoil, social breakdown and universal despair. This realistic vision of the future is all the more disturbing because of its plausibility. Clive Owen has reluctantly become saviour and protector to the first woman to get pregnant in 18 years. While shielding her from the general public, people who wish to use her child as leverage and rioting illegal immigrants, Owen is forced to deal with a loss in his own life. Owen is supported brilliantly by Michael Caine and directed superbly by Alfonso Cuaron.

The Devil Wears Prada B+
Smart, funny and oh so biting. Meryl delivers one of her best incarcerations in years as Miranda Priestly the editor and chief of Runway magazine. What could have been a one note performance has, under Meryl's capable hands, become an in-depth look at the sacrifices women with power have to make to compete in a man's world. Brilliant. That’s all.

Little Children B+
A dark and disturbing drama about suburban life highlighted by the amazing central performance of Kate Winslet as a house wife who starts an affair with a married neighbour seemingly out of boredom. The film is a little long and does suffer from an awkward narrative flow, but is made up for by superb acting.

An Inconvenient Truth A-
See this movie. The world depends upon you seeing it.

The Queen B
A carefully wrought exposé of the royal family during their gloomy days in 1997 when Princess Diana was killed in a car accident in Paris. Helen Mirren plays Queen Elizabeth II with great skill and buried emotion. Her supporting cast, especially Michael Sheen as Tony Blair, are excellent as well. Overall, this film reveals the aloofness of the queen without being wholly unsympathetic.

Babel B-
Out in the Moroccan desert two brothers tend to their herd of goat. Ahmed is the older brother, but lives in the shadow of his cocksure younger brother, especially in his father's eyes. Yussuf, in a silly sibling competition, carelessly fires a bullet at a tour bus to show his older brother that he is the better marksman.

An American tourist (Cate Blanchette) is hit by a bullet while on holiday in Morocco. Her husband (Brad Pitt) is panic stricken when he realizes just how foreign this place is when they don’t have the comfort of flashing their credit cards or using roaming on their mobiles, and instead have to rely on communication and the kindness of strangers.

In San Diego, Mexican nanny Amelia (the heart breaking Adriana Barraza) is taking care of two children whose parents are out of town. Since Mum and Dad are unexpectedly unable to return in time for her to attend her son’s wedding in Mexico, and since she’s unable to find anyone to help, Amelia elects to take the children with her - a decision that will have grave consequences.

Finally, Chieko (the fearless Rinko Kikuchi) is a deaf-mute Tokyo high school student dealing with the recent death of her mother while attempting to restore a relationship with her distant father. She is also desperate for more intimate contact, to the point where she makes brash and ill-advised overtures towards members of the opposite sex. Unlike the others, she is alienated in her own country, her disability making her a different kind of “foreigner.”

As the title suggests, “Babel” is about communication, the lack thereof, and the difficulties therein. The movie is told in five languages (English, Spanish, Arabic, Japanese, and sign), emphasizing the barriers when dealing with cultures totally foreign to each other. But also this movie deals with the pain of communicating feelings with one another, the ties of family and the fragile relationship between employer and employee.
Such a shame then that, although all four stories are connected, they play like four separate movies each one with various degrees of success. Perhaps next time director Alejandro Gonzalez Inarritu should stick to just one story instead of all this cross narrative and intrusive editing.
The Tokyo segment deserves an ‘A’ while the Mexican and Moroccan family stories each gets a ‘B’. Such a shame the Pitt and Blanchette story brings it all down with their ‘it took us facing death to work out our problems’ bullsh*t, so it gets a 'D'.

The Last King of Scotland B-
Monsters as political leaders are nothing new and the horrors they inflict fail to move me anymore. Perhaps it is just the world we live in with its media saturation, or perhaps I have come around to the opinion that power does indeed corrupt so where is the shock any more. Idi Amin was a charming sociopath and Forest Whitaker does an impressive job mimicking him. However, it is James McAvoy who steals the movie with his naive and bewildered performance as Nicolas Garrigan, the fictional medical advisor to Amin. To bring a fictional character to life has always impressed me more than the heralded copying of famous people (Angela Bassett and Lawrence Fishburn in ‘What’s Love Got to Do with It’ being an exception). While the film has its merits (assured direction, performance and strong screenplay) it comes across as another history lesson most people will not learn from.

Mini Review number 5 - Dreamgirls

It’s not all about the Beyoncé.

I love musicals. Some times there is too much feeling and passion to express in the confines of words that a powerhouse vocalist and backing band is needed. You are transported to a world full of sparkle, lights, passion, and tight choreography. Emotion, expelled from the heart and from the gut in the form of verse, hits you square between the eyes and leaves you reeling in the spell it has put you under. This is why I love Musicals, and this is why I was so upset Dreamgirls fell so flat.
By now you know the story: Set in the late 1960s and early ‘70s, “Dreamgirls” follows the rise of 3 women—Effie (Jennifer Hudson), Deena (Beyoncé Knowles) and Lorrell (Anika Noni Rose)—who have formed a promising girl group called The Dreamettes. They are discovered by an ambitious manager named Curtis Taylor, Jr. (Jamie Foxx), who offers them the opportunity of a lifetime: to become the back-up singers for headliner James “Thunder” Early (Eddie Murphy). Curtis gradually takes control of the girls’ look and sound, eventually giving them their own shot in the spotlight as The Dreams. That spotlight, however, begins to narrow in on Deena, finally pushing the less attractive Effie out altogether. Though the Dreams become a crossover phenomenon, they soon realize that the cost of fame and fortune may be higher than they ever imagined.
First the bad:
The movie has no real energy in itself. It looked perfect but felt lazy and unenthusiastic, almost like watching the first dress rehearsal of many. It seemed to rely only on its actors to bring it to life and this is where it succeeds and also ultimately fails.
Jamie Foxx is dull. He is supposed to be the films villain, but comes across bland, uninteresting and static. Oscar winner…really? What makes a villian is charisma (Lawrence Fishburn - What's Love Got to do With It), and unfortunately Foxx comes across as a cardboard cut out of himself.
Then there is Beyoncé walking through the film like she has taken far too many Quaaludes. The make up and hair department did an amazing job of channelling Diana Ross. It is a shame then that Ms. Knowles couldn’t bother to do more than strike a series of Ross inspired poses. Deena is supposed to be an ambitious superstar. There was no ambition, or star, in the performance.
The Good:
Tony award winning Anika Noni Rose was criminally under used. How I wish Condon had cast her as Deena instead, as she not only has a fantastic voice, but the acting chops to convey the naïve hunger of Deena. Such a shame she was given the small role of Lorrell instead.
Eddie Murphy was sensational as James Early; he injected the movie with a much-needed energy with his natural charm. He used this opportunity to remind everyone why he became a star in the first place and will likely walk away with an Oscar nomination.
Lastly there is Jennifer Hudson. This is her movie. She proved what was hinted at during her time on American Idol, that she is a bloody great performer, and now she is rightly considered Oscar worthy. Her Effie is full of sass and sexual allure, and when she is off screen the life seems to drain away from the movie. Forget her powerhouse vocal, where Hudson truly shines is in the moments when Effie shows glimpses of heart breaking vulnerability (“Am I ugly to you Curtis?”) before hiding it away behind her anger and pride. Sure Effie is self destructive, but she comes across as a real person, especially noticeable because the movie around her is mainly plastic.
Jennifer Hudson A, Movie C

Parting wish.

Florence Ballard was the inspiration for Effie White. The original lead singer of the Supremes who was pushed aside for the more attractive Diana Ross. Florence had unsuccessful attempts at a solo career before dying in poverty at the age of 32. Jennifer Holliday was the original Effie on Broadway. After winning the Tony for best actress, in what is still widely regarded as the greatest Broadway performance ever, Holliday never found the same success again.
I hope the same cannot be said for Jennifer Hudson’s career. Take your time, and continue to push yourself and your acting ability. And most importantly, retain your humble and gracious demeanour.

Here come the freaks.

Let’s face it, a lot of people think ‘Oscar watchers’ are freaks. Sure the awards mean a lot to the movers and shakers in Hollywood, and can launch some actors career into the stratosphere, but why do they matter to us?
For me it all comes down to ego. Every year I try and see as many of the buzzed films I can, and make up my mind as to their merits. More often than not, as Oscar season approaches, I see the over blown and over hyped films (I am talking to you Million Dollar Baby, A Beautiful Mind, Crash) and brush them aside. This leaves, what I consider to be, a few gems. Last year it was Brokeback Mountain, the previous year it was Eternal Sunshine of the Spotless Mind. Aside from Lord of the Rings: The Return of the King, and Silence of the Lambs, I have been disappointed by every eventual winner of the main award and swear every time “This is the last year I will follow these bloody awards!!!!”
This is why I love them. They give me a sense of superiority. In my own little world I have the best taste in film, performance, and music. No one can equal it. Not even the collective body of the Academy.
I first get the first rush on nomination day. Madly writing the nominees down on a scrap of paper while listening to the announcement through my phone as my loving partner holds the hand set up to the television. Squeeling, crouched at my desk, in my cubicle at work, “Jim Carey wasn’t nominated???!! Those idiots! Where was Uma Thurmans name!!?? YAY Samantha Morton got a nom!”
Then there is the build up until the big day. Frantically seeing movies that got in. Predicting who will win, or what front runner will trip up for what media malfunction. Frantically looking at various websites to see who is predicting who, and hopefully seeing randomness.
Then there is the big night. Filling in my prediction sheets, stupidly voting with my heart over my head and going for the long shot and trying to reason with those around me why Heath Ledger or Shohreh Aghdashloo will win over the general consensus.
And finally the telecast starts. So boring, so long. Hardly any surprises happen (aside Jack Nicolson getting drunk and reading out Crash instead of Brokeback Mountain last year) and it is all over.
And usually I am left only feeling this….I have better taste than the Academy.

Golden Globe Winners!

Winners in Bold

Best Picture Drama
Babel
Bobby
The Departed
Little Children
The Queen

Best Picture Comedy/Musical
Borat
Devil Wears Prada
Dreamgirls
Little Miss Sunshine
Thank You For Smoking

Director
Flags of our Fathers, Clint Eastwood
Letters of Iwo Jima, Clint Eastwood (boo! hiss! At Condons expense)
The Queen, Stephen Frears
Babel, Alejandro González Inarritu
Departed, Martin Scorsese

Best Actor Drama
Leonardo DiCaprio, Blood Diamond (they are such star f*ckers, poor Ryan Gosling)
Leonardo DiCaprio, The Departed
Peter O'Toole, Venus
Will Smith, Pursuit of Happyness
Forest Whitaker, Last King of Scotland

Best Actor, Musical/Comedy
Sacha Baron Cohen, Borat
Johnny Depp, Pirates of the Carribean II
Aaron Eckhart, Thank You for Smoking
Will Ferrel, Stranger than Fiction
Chiwetel Ejiofor – Kinky boots (the quirky choice of the year and totally unmerited)

Best Actress Drama
Penelope Cruz, Volver
Judi Dench, Notes on a Scandal
Maggie Gyllenhaal, Sherrybaby
Helen Mirren, The Queen
Kate Winslet, Little Children

Best Actress Comedy/Musical
Annette Bening, Running with Scissors
Toni Collette, Little Miss Sunshine
Beyonce Knowles, Dreamgirls
Meryl Streep, Devil Wears Prada
Renee Zellweger, Miss Potter

Best Supporting Actor
Ben Affleck , Hollywoodland
Eddie Murphy, Dreamgirls
Jack Nicholson, The Departed
Brad Pitt, Babel
Mark Wahlberg, The Departed

Best Supporting Actress
Adriana Barraza, Babel
Cate Blanchett, Notes on a Scandal
Emily Blunt, The Devil Wears Prada
Jennifer Hudson, Dreamgirls
Rinko Kikuchi, Babel

Screenplay
Guillermo Arriaga, "Babel"
Todd Field and Tom Perrotta, "Little Children"
Patrick Marber, "Notes on a Scandal"
William Monahan, "The Departed"
Peter Morgan, "The Queen"

Foreign Language
"Apocalypto," USA
"Letters from Iwo Jima," USA/Japan
"The Lives of Others," Germany
"Pan's Labyrinth," Mexico
"Volver" Spain

Animated Film
"Cars"
"Happy Feet"
"Monster House"

Original Score
Alexandre Desplat, "The Painted Veil"
Clint Mansell, "The Fountain"
Gustavo Santaolalla, "Babel"
Carlo Siliotto, "Nomad"
Hans Zimmer, "The Da Vinci Code"

Original Song
"A Father's Way" from "The Pursuit of Happyness"
"Listen" from "Dreamgirls"
"Never Gonna Break My Faith" from "Bobby"
"The Song of the Heart" from "Happy Feet"
"Try Not to Remember" from "Home of the Brave"

As expected.

Mini Review Number 4 - Notes on a Scandal

Barbara Covett (Judi Dench) is lonely. She is a history teacher nearing a retirement she both fears, because of her loneliness, and welcomes for she never truly loved it.

She is un-married, un-partnered (aside from her cat) and has no real friends. Her job is her life, though she hates it, teaching the hordes of “future plumbers and shop assistants” that roll through the gates. Not even the staff warm to her (she refers to a plump collegue as a “pig in knickers”). She spends her time writing in her diary, detailing her life and highlighting good days with gold stars.
Then comes Sheba Hart (Cate Blanchett). She is a new art teacher and is carefully observed by Barbara. Initially, Barbara believes that Sheba has an ideal set up: husband, children, a large house, and beauty. But nothing is ever what it seems. Sheba's husband, Richard (a marvelous Bill Nighy), is old enough to be her father, her son has Down syndrome, and her daughter is a bit of a misery.

Barbara desires a friendship while Sheba, naïvely, sees Barbara as a kind older woman. The mother she always wanted, the one who listens and understands her. But after Barbara observes Sheba having sex with a 15 year-old student, Steven Connelly (Andrew Simpson), her first reaction is to go to the school principle, but quickly realizes that she can leverage this into a twisted basis for a friendship, after all nothing can solidify a friendship like a secret.

When Barbara's beloved cat gets terminally ill she weeps from the gut for the one thing that has showed her love in her life. Her only friend is going to die and unless she has Sheba she will truly be alone, and when she is let down, Barbara, fueled by grief and abandonment, seeks revenge.

Judi Dench is amazing. She could have played Barbara simply as a villain, and it would have worked well in the confines of just a thriller. But what she has done instead is to create a woman so alone, and so miserable in her life that you can’t help but feel some sympathy and understanding towards her. She is fiercely intelligent and witty, and yearns for some human contact. She has repressed her sexuality for years, and has become a hollow version of herself, desperately grasping at any hint of friendship another woman throws her. As in Brokeback Mountain last year, Notes on a Scandal illustrates how being denied the chance or opportunity to freely express your sexual self can eventually destroy the person you could have become.

As good as Blanchett is, I could not help but think her mis cast. She has a firey intelligence in her eyes that burns through the screen so much so that when she is asked to play weak and naïve she just doesn’t quiet pull it off. Sometimes people complain that an actor is too weak for the part…this is a case where I think the opposite.

Unfortunately, I think some people will not see Notes on a Scandal as a movie about loneliness and repression. They will simply see it as yet another ‘homosexuals are monsters’ film. Funny, considering villain of the film should really be the heterosexual pedophile.

BAFTA Award Nominations!!

This year's Orange British Academy Film Awards will be held on Sunday 11 February 2007 at the Royal Opera House in London. The full list of nominees is below.

FILM
BABEL - Alejandro González Iñárritu/Jon Kilik/Steve Golin
THE DEPARTED - Brad Pitt/Brad Grey/Graham King
THE LAST KING OF SCOTLAND - Andrea Calderwood/Lisa Bryer/Charles Steel
LITTLE MISS SUNSHINE*
THE QUEEN - Tracey Seaward/Christine Langan/Andy Harries

THE ALEXANDER KORDA AWARD for the Outstanding British Film of the Year
CASINO ROYALE - Michael G Wilson/Barbara Broccoli/Martin Campbell/Neal Purvis/Robert Wade/Paul Haggis
THE LAST KING OF SCOTLAND - Andrea Calderwood/Lisa Bryer/Charles Steel/Kevin Macdonald/Peter Morgan/Jeremy Brock
NOTES ON A SCANDAL - Scott Rudin/Robert Fox/Richard Eyre/Patrick Marber
THE QUEEN - Tracey Seaward/Christine Langan/Andy Harries/Stephen Frears/Peter Morgan
UNITED 93 - Tim Bevan/Lloyd Levin/Paul Greengrass

THE CARL FOREMAN AWARD for Special Achievement by a British Director, Writer or Producer in their First Feature Film
ANDREA ARNOLD (Director) - Red Road
JULIAN GILBEY (Director) - Rollin' with the Nines
CHRISTINE LANGAN (Producer) - Pierrepoint
GARY TARN (Director) - Black Sun
PAUL ANDREW WILLIAMS (Director) - London to Brighton

THE DAVID LEAN AWARD for Achievement in Direction
BABEL - Alejandro González Iñárritu
THE DEPARTED - Martin Scorsese
LITTLE MISS SUNSHINE - Jonathan Dayton/Valerie Faris
THE QUEEN - Stephen Frears
UNITED 93 - Paul Greengrass

ORIGINAL SCREENPLAY
BABEL - Guillermo Arriaga
LITTLE MISS SUNSHINE - Michael Arndt
PAN'S LABYRINTH - Guillermo del Toro
THE QUEEN - Peter Morgan
UNITED 93 - Paul Greengrass

ADAPTED SCREENPLAY
CASINO ROYALE - Neal Purvis/Robert Wade/Paul Haggis
THE DEPARTED - William Monahan
THE DEVIL WEARS PRADA - Aline Brosh McKenna
THE LAST KING OF SCOTLAND - Peter Morgan/Jeremy Brock
NOTES ON A SCANDAL - Patrick Marber

FILM NOT IN THE ENGLISH LANGUAGE
APOCALYPTO - Mel Gibson/Bruce Davey
BLACK BOOK (ZWARTBOEK) - Teun Hilte/San Fu Maltha/Jens Meurer/Paul Verhoeven
PAN'S LABYRINTH - Alfonso Cuarón/Bertha Navarro/Frida Torresblanco/Guillermo del Toro
RANG DE BASANTI (PAINT IT YELLOW) - Ronnie Screwvala/Rakeysh Omprakash Mehra
VOLVER - Agustín Almodóvar/Pedro Almodóvar

ANIMATED FEATURE FILM
CARS - John Lasseter
FLUSHED AWAY - David Bowers/Sam Fell
HAPPY FEET - George Miller

ACTOR in a LEADING ROLE
DANIEL CRAIG - Casino Royale
LEONARDO DICAPRIO - The Departed
RICHARD GRIFFITHS - The History Boys
PETER O'TOOLE - Venus
FOREST WHITAKER - The Last King of Scotland

ACTRESS in a LEADING ROLE
PENELOPE CRUZ - Volver
JUDI DENCH - Notes on a Scandal
HELEN MIRREN - The Queen
MERYL STREEP - The Devil Wears Prada
KATE WINSLET - Little Children

ACTOR in a SUPPORTING ROLE
ALAN ARKIN - Little Miss Sunshine
JAMES MCAVOY - The Last King of Scotland
JACK NICHOLSON - The Departed
LESLIE PHILLIPS - Venus
MICHAEL SHEEN - The Queen

ACTRESS in a SUPPORTING ROLE
EMILY BLUNT - The Devil Wears Prada
ABIGAIL BRESLIN - Little Miss Sunshine
TONI COLETTE - Little Miss Sunshine
FRANCES DE LA TOUR - The History Boys
JENNIFER HUDSON - Dreamgirls

THE ANTHONY ASQUITH AWARD for Achievement in Film Music
BABEL - Gustavo Santaolalla
CASINO ROYALE - David Arnold
DREAMGIRLS - Henry Krieger
HAPPY FEET - John Powell
THE QUEEN - Alexandre Desplat

CINEMATOGRAPHY
BABEL - Rodrigo Prieto
CASINO ROYALE - Phil Meheux
CHILDREN OF MEN - Emmanuel Lubezki
PAN'S LABYRINTH - Guillermo Navarro
UNITED 93 - Barry Ackroyd

EDITING
BABEL - Stephen Mirrione/Douglas Crise
CASINO ROYALE - Stuart Baird
THE DEPARTED - Thelma Schoonmaker
THE QUEEN - Lucia Zucchetti
UNITED 93 - Clare Douglas/Christopher Rouse/Richard Pearson

PRODUCTION DESIGN
CASINO ROYALE - Peter Lamont/Simon Wakefield
CHILDREN OF MEN - Geoffrey Kirkland/Jim Clay/Jennifer Williams
MARIE ANTOINETTE - K K Barrett/Véronique Melery
PAN'S LABYRINTH - Eugenio Caballero/Pilar Revuelta
PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST - Rick Heinrichs/Cheryl A Carasik

COSTUME DESIGN
THE DEVIL WEARS PRADA - Patricia Field
MARIE ANTOINETTE - Milena Canonero
PAN'S LABYRINTH - Lala Huete
PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST - Penny Rose
THE QUEEN - Consolata Boyle

SOUND
BABEL - José García/Jon Taylor/Chris Minkler/Martín Hernández
CASINO ROYALE - Chris Munro/Eddy Joseph/Mike Prestwood Smith/Martin Cantwell/Mark Taylor
PAN'S LABYRINTH - Martín Hernández/Jamie Bashkt
PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST - Christopher Boyes/George Watters II/ Paul Massey/Lee Orloff
UNITED 93 - Chris Munro/Mike Prestwood Smith/Douglas Cooper/Oliver Tarney/Eddy Joseph

ACHIEVEMENT IN SPECIAL VISUAL EFFECTS
CASINO ROYALE - Steve Begg/Chris Corbould
CHILDREN OF MEN - Frazer Churchill/Tim Webber/Michael Eames/Paul Corbould
PAN'S LABYRINTH - Edward Irastorza/Everett Burrell
PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST - John Knoll/Hal Hickel/Charles Gibson
SUPERMAN RETURNS - Mark Stetson

MAKE UP & HAIR
THE DEVIL WEARS PRADA - Nicki Ledermann/Angel De Angelis
MARIE ANTOINETTE - Jean-Luc Russier/Desiree Corridoni
PAN'S LABYRINTH*
PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST - Ve Neill/Martin Samuel
THE QUEEN - Daniel Phillips
id Smith/Jim McRoberts

THE ORANGE RISING STAR AWARD (nominees announced on 8 Jan 2007)
EMILY BLUNT
EVA GREEN
NAOMIE HARRIS
CILLIAN MURPHY
BEN WHISHAW

The BAFTA's like to mimic the Oscars, but will usually throw in a few strange and or more home grown talent in the mix. The Last King of Scotland getting a nom over Children of Men for best pic puzzles me. CoM was critically praised this side of the pond, and everyone was raving about it for a long time. That was a shame, that and Pan's Labyrinth not making it either. Pan's garnered more praise then Little Miss Sunshine and LKoS, but it did get nominated else where.

What I dislike
Casino Royal. I just didn't get this at all, but never have been a Bond lover (although for Daniel I would make an exception)

What I love
Toni Collette. The Globes and BAFTAS have noticed her quiet but exceptional work in Little Miss Sunshine. Love her!!!
The Make Up nominations....it isn't all about fake noses and and rubber, sometimes an actual brush can create art.
The strong showing for Pan's Labyrinth.
The Paul Greengrass directors nod.......finally they notice him (the British are so much smarter)
The Costume noms. Again, the Oscars seem to think the more elaborately period the film is, the better the costume. This year The Devil Wears Prada and The Queen showed that contemporary costume design can say so much about character and mood.
Jennifer Hudson. The lone nomination for Dreamgirls comes from the American Idol reject.

My awards

Every year I do my MAFFE awards (the Michael Awards for Feature Film Excellence) just so I have a record of what moved me each year, and why. It is something I refer back to many times. This will be the first year they are put online. They will be starting at some point soon, but I am having the biggest problem with Best Actress. There are 2 performances I love more than any this year. Penelope Cruz and Kate Winslet, who will it be? I still have a few films left to see before I publish them so I am hoping I will see something that blows them out of the water so I don't have to decide. Until then let me leave you with this amazing little scene from Little Children where she playes a bored suburban wife and mother having an affair. Oh Kate, you are truely great. Look at the way she gains strength as the scene plays out. Her mood shifts from being uncomfortable with having to speak, to a confident calm as she seemingly realises something about herself, or something she can use to justify her actions. Look at the way her face gives the slightest emotional truth away, and all the while speaking with a faultless accent. Then at the end she leans in and subtley asserts the fact that she is the intellegent one in the argument, then relaxes back....point proven.
Before I commit to my nominations, I think I need to see a few films again. Pan's Labyrinth is haunting me. I enjoyed and admired it, but didn't LOVE it on first viewing. now I am rethinking things as this film has stayed with me. Read this wonderful article by Sasha Stone over at Oscar Watch and please go and see it.