Showing posts with label Toni Collette. Show all posts
Showing posts with label Toni Collette. Show all posts

Monday, 17 May 2010

Toni comes back


It has been 16 years since the world was introduced to PJ Hogan and Toni Collette.
That is a long time, and still “you’re terrible Muriel” and “Goodbye Porpoise Spit!” still make their way into daily conversation.

Also I have to thank them for introducing me to Toni Collette, who is now one of my favourite actors ever!

Well they are teaming up again for another Aussie comedy called ‘Mental’.
It will see Collette playing a crazy, charismatic woman who changes the life of a family after she becomes the nanny to five girls. And apparently it is based on reality.
Yes it is Hogans own experience:
“Like Muriel's Wedding, Mental is a comedy, but a comedy based on reality, laced with pain and brimming with flawed but lovable characters," Hogan tells Variety. Shaz (the central character) was hilarious, outrageous, dangerous, courageous, inspiring, heartbreaking and totally, totally mad. And she changed my life,"
It starts shooting next January and will hopefully see release near the end of the year.

Wednesday, 14 April 2010

Toni 'Foster'


Oh praise be. As much as I love the Goddess Collette in ‘The United States of Tara’ she does belong on the big screen where we can all bask in the subtlety of her emotional range.

Well now she is joining writer/director Jonathan Newman in the indie drama ‘Foster’ which is about a couple who are still struggling to deal with the death of their son who passed years earlier.

Now Collette can do anything, but she is a master with grief. Any one who has seen ‘The Sixth Sense’ or ‘Japanese Story’ will know. She of course will play the mother, opposite Ioan Gruffudd (yum).

Also joining the castare Richard E. Grant, the amazing Anne Reid and (be still my heart) my childhood crush Hayley Mills.

The film starts shooting in London this week. Time for me to start stalking the neighbourhood they are filming in so I can find my Goddess.

Monday, 9 November 2009

Hello there....


..Toni.......Just wanted you to know that I miss you. xoxox

Thursday, 1 October 2009

Mini Review – ‘The Black Balloon’

Although this film came out last year, I am finally getting around to seeing it.

‘The Black Balloon’ centres around a family trying to raise an autistic teenager, Charlie (play impressively and believably by Luke Ford)

The film mainly concerns itself with Thomas (a wonderful Rhys Wakefield) who has moved to a new town in Australia due to being an army brat and must go to a new school and make friends all while trying to hide his brother who his is ashamed of.
The boys in the school throw rock at the ‘special bus’ and make constant jokes about retards and spastics. On film it seems unnecessarily cruel, but if memory serves, kids are bastards.
Thomas’s one beackon of light comes in the form of Jackie (model Gemma Ward) who takes a liking to him, and accepts Charlie.

Although the movie never tries to pull at your heart strings, or make judgement on anyone, you cannot help but feel for Thomas. Being a teenage is hard enough, without having a brother who cannot speak, he cannot control his rages, he can have instant, violent mood changes. He runs through the neighborhood in his underpants. He throws a tantrum in a supermarket and he rubs his feces into the carpet.

When Thomas screams that he hates Charlie, you understand his frustration. He wants a normal life.

It is Maggie, (Toni Collette) the mother who lets you understand the family dynamic and how after all these years they have managed to stay together.
Of course, Toni Collette's performance as the mother of an autistic son, is a remarkable thing. She has created a mother who is emotionally and physically worn out, but she keeps on going for her son. She has to remain strong because the other men in her life are at breaking point.
Also noteworthy is Gemma Ward who creates a spontaneously warm young woman who cares for Thomas, sympathized with him, accepts Charlie without question.
Not the type of film that is major awards fodder, but still one worth seeking out.

Grade B

Monday, 21 September 2009

There is a God



What wonderful news to wake me up on a miserable London Monday morning.

Wednesday, 4 February 2009

'Get Happy'

Most probably my fav song by Judy Garland.
It is also the title of the planned Biopic of the star by those quiet and lovely chaps at The Weinstein Co.
The Author of the book 'Get Happy: The Life of Judy Garland' also wrote the book the 'Capote' screenplay was based on.

But haven't we just had a Judy Garland Biopic starring the brilliant Judy Davis?
Was I imagining this?

Well however short Harvey's memory is for other movies, his knowledge of how to get an Oscar nomination is not to be messed with. Whoever plays Judy will be in for some major prize grabbing.

May I suggest on brilliant actress who would tear this role up on screen?

GIVE THE ROLE TO TONI COLLETTE!!!!


In fact, as her performance in 'The United States of Tara' proves, give her every role. She can do it.

Monday, 2 February 2009

I Love Alice.

Alice is one of the personalities who inhabit Tara (aka God aka Toni Collette) and she is a brilliant creation. !960's homemaker, but with a serious dark side.

She comes to Tara aid just in time to visit her son Marshall's English teacher who has been singling him out.


Alice: "Why I won't be about a minute. I came by to drop off some treats for the bake sale and figured while i was here I would POP in and meet my boys teacher. Mr Gershenoff, it is SUCH a pleasure."

Mr Gershenoff: "Thank you".

Alice: "We're so very worried about our Marshall. Should we be concerned?"

Mr Gershenoff: "Um..Marshall's a unique challenge."

Alice: "And what about your challenges?"

Mr. Gershenoff: "Sorry?"

Alice: Oh Mr. Gershenoff, I feel so formal. May I call you by your first name? What is your first name?"

Mr. Gershenoff: "Oral."


Alice: "Mr. Gershenoff, we all know what this is really about.........Being different. And you out of anyone must understand.

Poor little Oral Gershenoff, sitting in the back of the class with funny hair and his funny name....

...day dreaming about sports he would never play, and girls he would never touch.
You know pandering to the football captains and prom queens of today won't take away the pain of yesterday......


....they can't appreciate you right now any more than they did back then.....and taking it out on the weird kid, won't help that weird kid....

...in there. It's time to start loving Oral"

SNAP!!! I now declare Toni Collette as GOD. Bow down to her powers.

Thursday, 8 January 2009

Because I love her

And any news on her is post worthy.

I just read Variety's review of 'The United States of Tara'.


Heeeeeeeeeeeeeeeeeeeeeeeee!!!! Skippity skip skip. I feel like twirling a baton (if I could) in front of a huge parade! And all because of one review.
Despite the boldfaced names behind the scenes -- Steven Spielberg! Diablo Cody! -- it's the woman at its center who ensures "United States of Tara" is more than a gimmick with a cutesy name. By turns oozing sexuality, vulnerability and confusion, Toni Collette gives Showtime's latest half-hour its buoyant pulse -- and a credible shot at the accolades the channel covets. Although it flirts with the preciousness that proved an irritant in the Cody-scripted "Juno," there's an innate sweetness at the show's core that essentially says people become inured to all manner of strangeness in the context of family -- even a woman with four disparate personalities....Ultimately, "Tara" will probably work best for those who embrace its pleasures without nitpicking its inconsistencies, instead delighting in the opportunity to spend a breezy half-hour with Collette on a weekly basis. Because whatever the show's modest shortcomings, this is unabashedly a vehicle for a star who brings meaning to the notion of having personality aplenty -- and then some.

I LOVE YOU TONI COLLETTE!!!

Wednesday, 7 January 2009

United Stakes of Toni


Yes, that spelling was purposeful. She is taking a great risk moving to television. I mean I would watch the woman iron at this point, but the more she is on TV, the less she is on the big screen, and that means even less chance of her finally winning that long over due Oscar (unless she takes back the one Jolie stole from her).

Here is hoping she has a slew of SAG, EMMY and Golden Globe awards heading her way.



But I shouldn.t be worried should I really? I mean she was still able to survive the mess that was 'Connie and Carla' so I am thinking she will be walking away with a few awards and nominations soon. GOD I LOVE HER!

Monday, 22 December 2008

Just because

My God she was robbed. Who won't they give her a great role? Why do they give her ok roles that she then has to make great?



And just because I haven't said much about Toni lately here is her from 'Wild Party'

Saturday, 6 December 2008

"What Doesn't Kill You" trailer

Ahhh so this is the Mark Ruffalo pic that the Satellite Awards went gaga over. Interesting. It seems that indeed Mr. Ruffalo is very good in this, perhaps Oscar good, but that is still not going to get him a nomination. Sometimes, when an actor makes it look to easy (ala Toni Collette) awards bodies do not notice.

Thursday, 23 October 2008

'The Black Baloon' trailer

When is this being released?

You all know I love Toni with a passion, and I especially love Toni with her Aussie accent. She is supposed to be wonderful in this film, yet there has been no release date yet?

Why! I need my Toni!! She is currently being tied up with Showtimes 'United States of Tara' which could be good, but she needs to be back on the big screen where she belongs!

Saturday, 18 October 2008

I hate you! I LOVE YOU!

Isn't it funny how you can utterly loathe an actor. I mean the mention of their name, or the sight of them can fill you with a complete rage. I am like that with Renee Zellweger (or lemon face as I call her (or cats arse...but it does insult cats which really isn't fair on them).

Funnily enough I used to really love Renee, although she hit her peak with me early with 'Nurse Betty', back when her eyes still opened. Now the sight of her makes my skin crawl. That "This war is like a cloud over the land" speech makes my ears bleed.

But how about those actors who you really dislike, then they go and deliver a performance where you have to eat your words. My good friend Dean HATED Keira Knightly with such a ferocious passion. He refused to listen to me about how good she was in 'Pride and Prejudice'. He would snarl his face up at the mention of her, calling her Skeletor and the such. But before last years Oscars, I forced him to watch 'Atonement'.
He ate his humble pie, he ate it all up and bloody loved it.

I am like that way with Nicolas Cage. I look at his face I want to vomit. He makes my skin crawl and I do not understand why on earth the man still works. He consistently churns out shit movies. However I do have to give him 'Adaptation' as he was brilliant in the movie, but since then I have gone back to hating the man.

I also immensely disliked Angelina Jolie. She stole Toni Collette's Best Supporting Actress Oscar with an 'ok' LEAD performance and then followed it with dreg. Up til 2006 her cameo in 'Sky Captain and the World of Tomorrow' was her high point for me. Then I reluctantly sat down and watched 'A Mighty Heart' mainly because of the story. Well f*ck me sideways with a chainsaw, she was brilliant. And I felt terrible that she was not nominated until I realized it was karma for the Toni Collette fiasco of 1999.

Back to 'Nurse Betty' for a second....how the heck did Morgan Freeman not get any recognition for that brilliant performance?

Well we love 'em, and we hate 'em again, or vica versa.

Who is it you hate, but have to give props for, for a great performance?

Thursday, 24 April 2008

"Towelhead" trailer

On initial viewing this film got such a slate of mixed reviews. It got completely panned and it also got RAVES!
Judging from the trailer it looks like it could be a good film. The central performance has gotten praise (Summer Bishil) and I will see anything with my Toni in it.

Monday, 7 April 2008

Hurrah and Yippee

My little Sheila is back!!

I was totally expecting Toni Collette to follow where so many wonderful and great actresses end up slumming it, and that is on TV, but it seems Sam Mendes has come to her rescue.
From Empire Online comes this wonderful bit 'o' news.

Don't get me wrong, I love my TV. TV is where some of these ex movie actors truely shine. Mary Louise Parker is wonderful in "Weeds", Kyra is great in "The Closer" and I am sure Holly, Glenn, Sally and Minnie are all wonderful in their shows, but it all felt just too soon for my Toni.

Sure the premise for "The United States of Tara" sound interesting (it also sounds like it could fall totally flat too) but I like my Toni on the big screen thank you!

So Toni....come back to me. I miss you!

Wednesday, 9 January 2008

What make a performance too small to be ‘supporting”?

I have been thinking about this a lot lately. Mainly because there is so much talk about how weak the Best Supporting Actress race for the Oscar is.
At first I would tend to agree, I mean in the so called ‘rules’ of supporting work, it should be over ten minutes, under a half hour and definitely be memorable.

We all know the rules do not work this way. In some cases the screen time creeps over the half hour mark and ventures into lead, when that happens it all depends on who is the biggest star in the film as to who goes supporting.
Catherine Zeta Jones was basically a co-lead, but Renee was the bigger star. Same with Jennifer Hudson and Beyonce, Angelina Jolie and Winona Ryder (at time of nomination) and on and on. There are cases where the categories are switched, usually for child actors or new comers.

Take “The Killing Fields” . Haing S. Ngor (pictured) was a non actor in the film, but was by far on the screen for a good majority of the film. Sam Waterston was a star, had less screen time, but got the lead nomination while Ngor got Supporting (and the win)
Perhaps it had as much to do with race as it did with celebrity status, Tom Cruise and Jamie Foxx in “Collateral” anyone.

Sometimes a co-lead will get bumped to supporting for the simple reason that they will have more of a chance of a win there, Jennifer Connelly in “A Beautiful Mind” is a great example, and one that will forever piss me off.

Julianne Moore (pictured with Toni Collette) and Nicole Kidman is an interesting example. Julianne had more screen time in “The Hours” but was pushed to supporting while Nicole was in lead.
Some people think that Nicole was only pushed because she had more chance of winning in the lead category. I say the movie was about Kidman’s character, so she was the subject and therefore lead.
Another example is Rachel Griffiths and Emily Watson in “Hilary and Jackie”. The film was about them both, but Jackie du Pre was the celebrity, so Watson was in lead, and Griffiths in supporting. Personally I feel there is nothing wrong with this strategy.

The other thought on the Nicole Kidman/Julianne Moore and Tom Cruise/Jamie Foxx situation is that both Moore and Foxx were locks for lead nominations, and to be greedy they (or the studio) put them into supporting so they wouldn’t cancel each other out, and had a better shot at a win (Foxx won, Moore did not). This also pisses me off no end.

This I understand. I get the logic (sort of, if you can call greed and status logic). What I, however, do not get is when people say your performance is too small to be nominated.
If you support the lead actors and you bring something to the film why does the fact you only had 7 minutes make you not eligible?

Vanessa Redgrave, Ruby Dee and Samantha Morton were or are in the race, but people are saying their roles are too small. There are no small roles if you can do something with them.

Take Morton who was given , like, 4 lines of dialogue in “Elizabeth: The Golden Age” get what she does with that time is phenomenal. She creates a fully three dimensional character in a single scene. Not only that, but she makes you feel sympathy for one of the films villains. She certainly did more with her time on screen that Julia did in “Charlie Wilson’s War” and Jules had loads of snappy dialogue to play (fumble) with.

Ruby Dee gives a film bordering on snooze worthy a much need jolt of emotion and spark, and Redgrave ends the film giving it it’s emotional punctuation. Should these actors not be considered for awards consideration because of time?

I just does not seem fair.

I have loads of other films to see yet, and will no doubt face these questions again. I just wish I knew why. Going back a bit, good as Moore was in “The Hours” her part was completely stolen by Toni Collette in a role considered too small to be awards worthy. By what bunch of f*cking twats I would like to know.

Thursday, 13 September 2007

Musical Appreciation Class 4

Talking about musicals and remakes, please cast Toni, please cast Toni in either the story of Liza, or the remake of "Caberet"

Thursday, 14 June 2007

Stardom, and the price on acting.

Ok, the general Conesus is that Madonna cannot act. Every time she has attempted to on screen/stage she has been laughed at, with a brave few who give her praise. Don’t get me wrong, “Shanghi Surprise”, “Four Rooms”, “Body of Evidence”, “The Next Best Thing” and “Die Another Day” were all fairly wooden and lack luster performances.
But I will argue this:
Bloodhounds of Broadway (crap clip…sorry)”, and “ Shadows and Fog” were not bad, she was believable and got the job done well. She made me laugh and was a lot of fun with Rosie in “A League of Their Own”, ditto the fun for “Dick Tracy”. She actually really impressed me with “ A Dangerous Game ” . And, even though the movie was awful, she was played screwball and silly to perfection in “ Who’s That Girl (again…crap clip…sorry)” something that no one gave her credit for.
(As for “ Evita ” I will only say this, in her scenes where she sang live she was AMAZING, and had she done that for the whole film, she would have been Oscar nominated)
The problem is no matter what she does, the audience will always see Madonna. Her image will always be bigger than anything else.

The reason I was thinking about this is because I was reading a lot of the reviews for “A Mighty Heart” and most said the same thing. You know it is Angelina Jolie. The serious subject matter of the true life story of Mariane Pearl is let down because the star in the lead is just too media saturated to get lost in the role in the viewers mind.

What happens when your star is too bright for the roles you play? Does the media’s current obsession with celebrity over world crisis add to this? Will Lindsey Lohan ever be able to live down her snatch flashing, drinking binges and time in rehab to be taken seriously?

Will the same fate happen to Halle Berry. Will she be able to rise above the controversy and her own sex siren image to deliver, and get lost in, a true performance? (I hear no one crying "foul" over the fact she was cast as Tierney Cahill - a white woman - in “Class Act", or is that too politically incorrect??)

Take Julia Roberts. I love this woman, she has charisma to spare, but we all know that when she acts, she is always Julia Roberts acting….no matter how good it is. I remember watching her in “ Closer ” and “Erin Brockovich” and thinking “Oh My God…Julia has a potty mouth!”. Even I could not differentiate the star from the performance, which is sad for her because the performances were good.

True, actresses cannot all be the Meryl Streep’s, Toni Collette’s, Laura Linney’s, Helen Mirren’s, Samantha Morton’s, Kate Winslet’s (and SO MANY MORE) of the acting-world. Not all want private lives. Not all want to avoid media attention by not becoming fashionista glamazons.
This is because with newspapers and magazines comes some good roles and, more importantly, celebrity. And sometimes if you are blessed with conventional beauty, you will use it to gain the advantage.

Whenever I hear a role as being ‘Oscar bait’ I switch off. The true great performances of the years usually come from those films that did not have the acting buzz.

I do kind of wish that the good roles in smaller films, the juicy ones with substance, were left for those with tremendous talent who are lower on the casting list. Those, who have that rare talent to become the person, and make you forget the actor.

Sunday, 10 June 2007

Toni Collette and The Finish - Look Up

I must make it a priority to get this album. Anything I can do to support my Toni!
Bonus - It is pretty damn good.