Showing posts with label Oscar. Show all posts
Showing posts with label Oscar. Show all posts

Friday, 16 July 2010

Trailers - The Good, The Bad and The Ugly



Wowee, these trailers are certainly dramatic (read Oscar baiting), however they all cannot make it in the end (or can they?)
Let's take a look at the very baity films that are being released in time for the big awards rush.

'Miral'



Julian Schabel's follow up to 'Le scaphandre et le papillon' ('The Diving Bell and the Butterly') find him going political with this extremely interesting story with a killer cast. The Premise goes:
Jerusalem, 1948. On her way to work, Hind Husseini (Hiam Abbass) comes across 55 orphaned children in the street. She takes them home to give them food and shelter. Within six months, 55 had grown to almost 2000, and the Dar Al-Tifel Institute was born.

At the age of 7, Miral (Frieda Pinto) was sent to the Institute by her father following her mothers death. Brought up safely inside the Institutes walls, she is naïve to the troubles that surround her. Then, at the age of 17, she is assigned to teach at a refugee camp where she is awakened to the reality of her peoples struggle. When she falls for political activist, Hani, she finds herself torn between the fight for the future of her people and Mama Hinds belief that education is the road to peace.
The Good - Nice to see Pinto get to stretch her chops in a film that will no doubt be important for a lot of people. The film looks amazing and I am sure it will be an strong emotional and political story. I think it will Abbass who garners the most attention, but Pinto could be a real surprise

The Bad - The wonderful and amazing Hiam Abbass is hardly seen in the trailer, and no sign of Vanessa Redgrave or Willem Dafoe. Odd eh?

The Ugly - Repression of people is never a good thing. In terms of the trailer though, I see nothing ugly in it at all and fully expect this to be a critically acclaimed film if not an awards contender (the Academy are reluctant to embrace other ethnicity's in the actress categories)


'The Town'



Now I was not a fan of 'Gone Baby Gone' but did find it atmospheric and showing promise in Ben Affleck as a director.

The Good - The cast look very impressive with John Hamm, Blake Lively, Ben Affleck, Jeremy Renner, Chris Cooper and Rebecca Hall. I have a distinct feeling that we could be looking at a few contenders in this film, especially in the form of Hamm, Renner, Cooper, Lively and especially Hall.

The Bad - Kind of do not need to see the film now since the trailer has given away far too many plot devises. Not that I could not have guessed the twist, but it seems to take away from the excitement the film could have generated.

The Ugly - Trailers that feel the need to play out the entire movie for you, as though they feel there are no intelligent people out there anymore - here is hoping it has much more to offer.


'Biutiful'



Javier Bardem in his Cannes winning performance - he will be looking for replicate that at the Oscars.

The Good - It is Javier Bardem and Alejandro González Iñárritu who is always interesting to watch. Plus it looks like it will be a very dramatic and gripping story

The Bad - It also looks incredibly bleak and that voice over really upsets me for some reason. It sounds so 'wannabe'

The Ugly - Crime is never a pretty thing, neither is grime. I guess you could argue that rhyming can be ugly too.


'The Social Network'



The story of the beginning of Facebook.

The Good - David Fincher is a wonderful director of suspense, which by the looks of things he is going to wring out of this story. This looks to be his element so I am sure this will be a respected film. Plus the cast of up and comers looks intriguing.

The Bad - Whiny, back-stabbing, money grabbing white kids never really engross me - even if I do use Facebook a little too much.

The Ugly - Farmville, the Facebook game, literally sucked a lot of time away from me. Running home at the speed of light because my tomatoes were about to wither kind of makes you a sad twat.

Tuesday, 9 March 2010

The show



I am not going to comment too much on the various winners. Y'all know my thoughts on who I thought was the deserving, and once the MAFFE awards come around, those of you who do not know, will all see.

I just want to comment on what I honestly thought was the worst Oscar ceremony I have ever witness. It was a mess.

Here is what I didn't like:
Having the lead acting nominees lined up at the beginning was pointless. They look uncomfortable and it seriously took away from the running time. Were they trying to make it look like a beauty pageant ? "The 10 runner ups are...". Ugh.

What was with the opening number. I just did not really get what the point was. I love NPH but it just seemed silly and time consuming, and the following monologue from Steve Martin and Alec Baldwin was ok, had a few high points, but was over all a severe disappointment when compared to last years number.

The fact that they had people presenting awards for nominated films they were in, or had something to do with - Sigourney Weaver - Art Direction, Tyler Perry (very very funny) doing editing, Sam Worthington doing sound - it was tacky and awkward. Poor Sam having to read out that 'Avatar' lost the sound awards was just terrible. Who ever decided that should happen should be smacked.

I love the 5 acting nominees being presented by other actors/directors. I loved the fact that this year it was accompanied by film clips. However only for the lead categories. Supporting was just regulated to film clips. Are they saying that yes...the lead acting oscars are the only ones that deserve a special presentation?

The interpretive dance for Original Score. It went on for 4 years it seemed.

The way certain presenters (who were obviously instructed to) ran off the list of nominees so quickly before tearing that envelope open to get the winner up and off was just plain disrespectful to what they are there celebrating - excellence in film.
They should have just run down and handed them out to them, or shot them out of a cannon.

The way Tom Hanks announced Best Picture was horrendous. I do not really care about having 10 nominees. It would not have taken that much longer to read them out again (just cut the damn dance number, or shorted the John Hughes memorial).

Cutting off speeches. It is just plain rude. Seeing people up there panicking about being cut off is just bad manners. Yet Jeff and Sandra are allowed to go on an on. It makes it so obvious what they think the important awards are, and lets these poor winners know that they are not important.

"And the winner is..." HORRIBLE!!! They are not winners. Gabby, Meryl, Carey and Helen are definitely not losers. We all know that Bullock did not give the best performance of the year, which is why calling her the winner of the category 'Best Performance my and Actress in a leading role' is not true. 'And the Oscar goes to...' is accurate. This was by far the WORST decision of the night,

I would much rather have the 'Best Short' awards placed in a different ceremony to bring back the Life Time Achievement awards. I would obviously prefer a world where we would have both, but if it means I get to see Lauren Bacall be celebrated for her body of work, then so be it.
This is the last of it for my blog. I will not discuss it and instead look to the cinematic gems of 2010.

Someone once said that the awards should be given out a year later. When people have time to see all the films and sit and think about who they honestly want to win. The surrounding hoopla would have died down and voters would not be all caught up in media opinion.

I am sure the results for each year would be quite different.

Here are the best moments in Pictures (aside from Oprah presenting Gabourey Sidibe which was so moving and a nice way of letting her know that this is the reward)




Monday, 8 March 2010

Oscar winners

Best Picture: “The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro
Best Director: “The Hurt Locker” Kathryn Bigelow
Best Actor: Jeff Bridges in “Crazy Heart”
Best Actress: Sandra Bullock in “The Blind Side”
Best Supporting Actor: Christoph Waltz in “Inglourious Basterds”
Best Supporting Actress: Mo’Nique in “Precious”
Best Original Screenplay: “The Hurt Locker” Written by Mark Boal
Best Adapted Screenplay: “Precious” Screenplay by Geoffrey Fletcher
Best Foreign Language: “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
Best Animated Film: “Up” Pete Docter
Best Documentary: “The Cove” Louie Psihoyos and Fisher Stevens
Best Cinematography: “Avatar” Mauro Fiore
Best Art Direction: Avatar” Rick Carter, Robert Stromberg, Kim Sinclair
Best Costumes: “The Young Victoria” Sandy Powell
Best Editing: “The Hurt Locker” Bob Murawski and Chris Innis
Best Score: “Up” Michael Giacchino
Best Song: “The Weary Kind”(Crazy Heart) Ryan Bingham and T Bone Burnett
Best Makeup: “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
Best Visual Effects: “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham, Andrew R. Jones
Best Sound Editing: “The Hurt Locker” Paul N.J. Ottosson
Best Sound Mixing: “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
Best Animated Short: “Logorama” Nicolas Schmerkin
Best Live Action Short: “The New Tenants” Joachim Back and Tivi Magnusson
Best Documentary Short: “Music by Prudence” Roger Ross Williams and Elinor

Would comment on the ceremony, but I honestly thought is was horrendous.

Sunday, 7 March 2010

Happy Holidays everyone!

Friday, 5 February 2010

"The Oscar will open to you like a magnificent vagina."

Sadly Rosemary Harris could only muster a feeble 6% for her performance in 'Tom & Viv'.

Likewise, future Oscar winner Helen Mirren was only able to get 11% for 'The Madness of King George'

In a tie for second place are two actresses who I always hope will have more great roles then they currently do. Uma Thurman for 'Pulp Fiction' and the delightful Jennifer Tilly in 'Bullets over Broadway' with 22%. Still not enough to oust the winner and Tilly's co-star.

So it is no Surprise that Dianne Wiest won this poll with 39% of the vote, I mean of course, Helen Sinclair won the poll, and she is the Oscar winner for Best Supporting Actress in 1994, and everyone loves her in this.

Let is celebrate two time Oscar winner Wiest, and wish her a plethora of juicy supporting role yet to come. Still this role is by far her most quotable.
"She's perky all right. She makes you want to sneak up behind her with a pillow and suffocate her."

"Please forgive me. My pedicurist had a stroke. She fell forward onto the orange stick and plunged it into my toe. It required bandaging."

"I'm still a star. I never play frumps or virgins."


Now lets look to 1995. The Nominees were:


Susan Sarandon - 'Dead Man Walking'
Elisabeth Shue - 'Leaving Las Vegas'
Sharon Stone - 'Casino'
Meryl Streep - 'The Bridges of Madison County'
Emma Thompson - 'Sense and Sensibility'

Tuesday, 2 February 2010

Oscar Nominations

Best Picture

* “Avatar” James Cameron and Jon Landau, Producers
* “The Blind Side” Nominees to be determined
* “District 9” Peter Jackson and Carolynne Cunningham, Producers
* “An Education” Finola Dwyer and Amanda Posey, Producers
* “The Hurt Locker” Nominees to be determined
* “Inglourious Basterds” Lawrence Bender, Producer
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
* “A Serious Man” Joel Coen and Ethan Coen, Producers
* “Up” Jonas Rivera, Producer
* “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Actor in a Leading Role

* Jeff Bridges in “Crazy Heart”
* George Clooney in “Up in the Air”
* Colin Firth in “A Single Man”
* Morgan Freeman in “Invictus”
* Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

* Matt Damon in “Invictus”
* Woody Harrelson in “The Messenger”
* Christopher Plummer in “The Last Station”
* Stanley Tucci in “The Lovely Bones”
* Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

* Sandra Bullock in “The Blind Side”
* Helen Mirren in “The Last Station”
* Carey Mulligan in “An Education”
* Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
* Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

* Penélope Cruz in “Nine”
* Vera Farmiga in “Up in the Air”
* Maggie Gyllenhaal in “Crazy Heart”
* Anna Kendrick in “Up in the Air”
* Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

* “Coraline” Henry Selick
* “Fantastic Mr. Fox” Wes Anderson
* “The Princess and the Frog” John Musker and Ron Clements
* “The Secret of Kells” Tomm Moore
* “Up” Pete Docter


Art Direction

* “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
* “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
* “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
* “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
* “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

* “Avatar” Mauro Fiore
* “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
* “The Hurt Locker” Barry Ackroyd
* “Inglourious Basterds” Robert Richardson
* “The White Ribbon” Christian Berger

Costume Design

* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell

Directing

* “Avatar” James Cameron
* “The Hurt Locker” Kathryn Bigelow
* “Inglourious Basterds” Quentin Tarantino
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
* “Up in the Air” Jason Reitman

Documentary (Feature)

* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Nominees to be determined
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing

* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

* “Ajami” Israel
* “El Secreto de Sus Ojos” Argentina
* “The Milk of Sorrow” Peru
* “Un Prophète” France
* “The White Ribbon” Germany

Makeup

* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino

Music (Original Song)

* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Short Film (Animated)

* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers

Sound Mixing

* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Monday, 1 February 2010

My Little Oscar Predictions


Here is where I go crazy and try to add some interest in the proceedings. I will be SO wrong, but it is fun isn't it?
Best Original Screenplay

'Inglourious Basterds'
'The Hurt Locker'
'(500) Days Of Summer'
'Up'
'A Serious Man'

Nothing special or unusual here. Just going with my gut here.


Best Adapted Screenplay

'Fantastic Mr Fox'
'Julie & Julia'
'Precious'
'Up In The Air'
'Where the Wild Thing Are'

I have this nagging feeling that there may be more love for 'Julie & Julia' and 'Wild Things' then previously hinted at.


Best Supporting Actress

Mo'Nique - 'Precious'
Melanie Lauret - 'Inglourious Basterds'
Marion Cotillard - 'Nine'
Anna Kendrick - 'Up In The Air'
Samantha Morton - 'The Messenger'

This is all mainly wishful thinking, but I have a hard time swallowing people being so enraptured in the 'Up in the Air' girls.


Best Supporting Actor

Christoph Waltz - 'Inglourious Basterds'
Woody Harrelson - 'The Messenger'
Christopher Plummer - 'The Last Station'
Christian McKay - 'Me and Orson Welles'
Stanley Tucci - 'Julie & Julia'

Again, wishful thinking, but I would like to see them reward his better performance.


Best Actress

Meryl Streep - 'Julie & Julia'
Sandra Bullock - 'The Blind Side'
Carey Mulligan - 'An Education'
Gabourey Sidibe - 'Precious'
Saoirse Ronan - 'The Lovely Bones'

Bored, need a shake up. Was going to ignore Bullock for shits and giggles, but I know that is not going to happen.


Best Actor

Jeff Bridges - 'Crazy Heart'
George Clooney - 'Up in the Air'
Colin Firth - 'A Single Man'
Morgan Freeman - 'Invictus'
Viggo Mortensen - 'The Road'

have had a nagging feeling about Renner for a while, so decided to give Viggo a slip in - really want Sharlto Copley in here though.


Best Animated FIlm

'Up'
'Cloudy with a Chance of Meatballs'
'Coraline'
'Fantastic Mr Fox'
'Ponyo'

What the hey.


Best Foreign Film

'Un Prophete'
'The White Ribbon'
'Samson & Delilah'
'Letters to Father Jacob'
'About Elly'

Sad about no 'Broken Embraces'.


Best Director

Katherine Bigelow - 'The Hurt Locker'
James Cameron - 'Avatar'
Quentin Tarantino ' Inglourious Basterds'
Lee Daniels - 'Precious'
Neil Bolmkamp - 'District 9'

Meh, just some guess work....will not happen but one likes to pretend.


Best Picture

'The Hurt Locker'
'Up in the Air'
'Precious'
'Inglourious Basterds'
'Avatar'
'Up'
'An Education'
'District 9'
'Where the Wild Things Are'
'Invictus'

Anything can happen here. It is going to be interesting

Thursday, 24 September 2009

Predicting blind

So what are the films that we have heard nothing about?

There are still those major contenders that are on everyones list, but there have been no real reviews of, not even test screening reviews on Ain’t it Cool News (who for some reason have not even mentioned ‘Precious’ at all – not their thing I guesss). We have that test screening review/s from The Film Experience for ‘Nine’ that sounded promising (or not, depending on how you look at it)

These are the films:
‘Amelia’
‘Everybody’s Fine’
‘Invictus’
‘The Lovely Bones’
‘The Princess and the Frog’
‘The Tree of Life’
‘Within the Whirlwind’
‘Where the Wild Things Are’
Is it possible to tell which of these is most at risk? Do we have a hunch at what film is going to do exceptionally well and what is going to suffer?
No, we can’t, but I have a hunch.

Why do I get that feeling that ‘Amelia’ is going to not go down that well at all. It will be one of those respected films that never catches on in the awards race. I am not even thinking Hilary Swank will get a nomination this year. It certainly looks epic enough, but epics that are not LOVED only get nominated if directed by Martin Scorsese.
I do not know enough about ‘Everybody’s Fine’ to even comment about it’s chances. My gut is it will not amount to much. Perhaps some acting, but still, my gut says no.
Last year we had not one but two Clint Eastwood films out, and only ‘Changeling’ got an Oscar love. Perhaps, with only one film, all the attention will be on awarding him there. I am thinking this should go over well and get at least three of the top categories (Picture, Actor, Director) but then again it could all go horribly wrong…or be delayed.
Never rule out Peter Jackson – which is now the rule. Will the combination of LOTR effects and ‘Heavenly Creatures’ story get him in? Who can say? This is the most unknown of the films. The trailer did not blow us away, so we can’t really say either way. It could be a masterpiece or a well intentioned failure. It could be met with a universal “WOWZER!” or a “meh”. My gut is it will garner enough great reviews that the ‘mehs’ will not affect it from getting a BP nom.

‘The Princess and the Frog’ is a film I am most interested in seeing how it is received.
Does Disney still have it’s mojo or not?
I have a feeling this may be a fantastic return to form for 2d animation – at least I hope it will be. I yearn to sit in a cinema and feel like a 7 year old again and the feeling I got from the trailer is it will do just that. If it is as good as it should be, it could find its way into the BP category.
With all Malik films, you can trust they will involve nature and be glorious to look at. People either love them or not. For some reason the casting of Brad Pitt does not lend me hope – is it only me who finds him a very boring actor to watch? Even in comedies he bores me a little.
If ‘Within the Whirlwind’ is to go anywhere it will be a nomination for its lead actress Emily Watson. There is no advance word on the film at all – nothing – zippo. Once can imagine that Watson will be wonderful (she always is) but it needs to be released first. My hunch is, like so many great performances, she will be praised, but ignored for the big awards.

And finally we have the film that I think will be the biggest surpise.
I have this little tiny voice in me that tells me this is going to be a wonderful film that will be a huge critical hit, and possibly commercial. If ‘Where the Wild Things Are’ fails I will be so disappointed on so many levels.
It has taken forever to make, and the trailer actually almost made me cry with anticipation. I also think Spike Jonze is a wonderful director with actors (he has only two feature films under his belt - both have got acting nominations) so perhaps Catherine Keener could be a factor this year. I think it may just make it into the BP race.
This, Like ‘Precious’ are my most anticipated films of the year. At least I know the critical consensus on the latter.

Which of these do you think will flop and which will soar?

Wednesday, 25 February 2009

Sketching the Oscars

I love Sophia Loren. I do
Still her rather strange skin colour on screen made my friends chuckle. After best Actress was announced my dear friend Lee passed around a sketch he did of the Oscar winning actress.


We laughed a little too hard, it bordered on being mean.
May have to get him to do this every year. Oscar the sketches.

Tuesday, 24 February 2009

Revisions

Ok, so much has been said about the Oscar ceremony. I have read positive and negative comments. And it seems people are all over the place with what they liked and what they didn't like.

Hugh Jackman was sensational, although more of him would have been better.
I mean he was so vastly entertaining, humble and not afraid to laugh at himself.
Plus his song about 'The Reader' was priceless. I have not laughed so much at the Oscars before.
He did so much to make the show more glitzy and glamorous all the while making it seem more relaxed and intimate.



I am now beginning to like Beyonce and beginning to love Anne Hathaway. You know she will do a musical after that.

I personally thought Ben Stiller was embarrassing. I actually forget now what award he was presenting and who ever won it, and whoever were nominated will be forgotten because Ben Stiller just had to pull a prank (and as pranks go, it is already far too old).
Kind of shows no respect for these people. This is their category and their night to shine.

I did not get the movie montages, and felt they ate away at the time. I would have preferred a longer preamble and explanation of each award. Long examples of each one so at least I could understand the difference between Sound Mixing and Sound Editing.

If you have someone present the awards, they should not talk about themselves, they should talk about the award they are presenting. Also please make Steve Martin and Tine Fey teach classes on awards presentation.

I loved the way the awards were handed out, with the techs and artistic ones following the journey of how a film is made. Kind of educational.

I LOVED the new way of handing out the acting Oscars. Five previous winners coming out to pay tribute and praise each nominees work. As a viewer it softens the blow when your favorite does not win, as I am sure it does to the nominee.
Seeing Viola Davis overcome with emotion was a highlight. However I would have still liked to have seen a clip. Perhaps after each presenter could have introduced a clip.
Sure it elongates the suspense and running time, but each of those actors have gone through months of campaigning and interviews for this moment. Shine a stronger light on them.
Some critics felt it was too lovey-dovey Hollywood schmaltz, and at times it got a little much I admit, but this is a night for them as much as it is a night for us as viewers so suck it up audience. If I were nominated I would want a BIG deal made!

Meryl Streep should have much more screen time.

I must say, after watching the back stage cam I have a new pity for each Oscar winner. That room looks like a nightmare.

And lastly this.....what were they saying to each other? Oh to be a fly on the wall


Sunday, 22 February 2009

Happy Oscars!!!

Well tonight we will find out who wins what. Of course my predictions will not come true (I am from the 'wishful thinking' line of voting) but I hope they at least reflect the Academy in that there will be some major surprises.

This season has left a bad taste in my mouth.

Firstly, and I know I am not alone with this, there is only one film in the top 5 that really and truly deserves to be there.
In a few years time we will all look back on this year and I am pretty sure 'Milk' will still hold up ('WALL-E', 'The Dark Knight', 'The Wrestler' and 'Waltz With Bashir' will most likely still be revered in a few years time too) but the others....well, I guess they were easy to put down as 'best' of the year since they give the illusion of prestige. Upon closer inspections and distance all the cracks will appear.

The other thing that has left a bad taste, and I will probably be alone with this, is Kate Winslet.

I love the woman.

I really think she deserves to win an Oscar, and probably should have done a few year ago. I could fully rally behind her has she been nominated for 'Revolutionary Road' and could even smile when she (most likely) gets up on stage to accept the Best Actress Oscar for 'The Reader' had she not been so desperate for the award.
If Oscar had a dick, Kate would be sucking it.

Of course there are many many people who whore themselves out for an Oscar, but Kate has made her desire so public.
I mean type in 'Kate Winslet Wants Oscar' in Google and a gazillion interviews will come up with her saying just that.

This year it almost seems to me like if she wins, the Academy is freely admitting that these awards have nothing to do with the 'best' (we know this anyway, but knowing and admitting are vastly different) and, indeed can be bought and begged for.

I like my actors making great movies and delivering great performances. When and if they loose out on awards, they go on and continue to make great movies and deliver great performances.
They do not complain about being nominated and not winning. I do not want to hear about their disappointment...there are bigger fish to fry, and you crying about not winning a little gold award, when there is so much going on in the world, is just so selfish and ugly.

I mean, for six years, Kate Winslet has been singled out as one of the five best lead actresses of the year. Nothing to really complain about in the end. Sure the award would be nice, but it ain't like she is starving.

Well after tonight (or tomorrow morning for me) Kate will most likely have an Oscar and be able to concentrate on being herself.
The greedy monster I have seen lately will be subdued.

Thursday, 19 February 2009

Oscar Winners Leaked

High light below if you want to know.
Could be a hoax, could not, but just in case, do not want to ruin anything.

Actor in a leading role: Mickey Rourke
Actor in a supporting role: Heath Ledger
Actress in a leading role: Kate Winslet
Actress in a supporting role: Amy Adams
Animated Feature Film: Wall-E
Art Direction: The Dark Knight
Cinematography: Slumdog Millionaire
Costume Design: The Curious Case of Benjamin Button
Directing: Slumdog Millionaire
Documentary feature: Man on Wire
Documentary short: The Conscience of Nhem En
Film editing: Milk
Foreign language film: Departures
Makeup: The Curious Case of Benjamin Button
Music (Score): Defiance
Music (Song): Down to Earth (Wall-E)
Best Picture: Slumdog Millionaire
Short film (animated): Presto
Short film (live action): Auf Der Strecke (On The Line)
Sound editing: Wall-E
Sound mixing: The Dark Knight
Visual effects: Iron Man
Writing (Adapted screenplay): The Reader
Writing (Original screenplay): In Bruges

Wednesday, 21 January 2009

The Numbers and Final Predictions

Ok, after the BAFTA nominations everyone started to panic...myself included, about the snub of 'The Dark Knight', 'Sally Hawkins', 'Gus Van Sant' and 'Viola Davis'.
As you know I have been steadily gathering all the numbers for the top 6 awards this year. Ciritcs awards, guilds, awards bodies, top ten lists and various wins.
Let us break it down now.
For each category I am going to only give the top eight contenders in accordance to the scriptures my numbers:

Best Picture
1- Slumdog Millionaire
2-WALL-E
3-The Dark Knight
4-Milk
5-The Curious Case of Benjamin Button
6-Frost/Nixon
7-The Wrestler
8-Happy-Go-Lucky

I would say the only two locks are 'Button' and 'Slumdog', the tides could change with the rest of the other three ('Milk' is the next safest). I would say you can take out 'Happy' and 'The Wrestler' and do a pick and mix with the remaining three films and you could have a very believable Best Pic line up. I am not giving up on 'TDK' or 'WALL-E' just yet, even though everything in my brain is saying the Academy are not going to embrace two genre films in one year. However I am going with the fact the world is high on hope and the nominees will easily be 'Slumdog', 'WALL-E', 'TDK', 'Milk', 'TCCOBB', outside shot 'Frost/Nixon'

Best Director
1-Danny Boyle
2-David Fincher
3-Christopher Nolan
4-Gus Van Sant
5-Ron Howard
6-Andrew Stanton
7-Mike Leigh
8-Stephen Daldry

Easily take out Daldry.
Leave Boyle and Fincher as locks, Nolan and Van Sant as near locks and play eeany meeny miney moe with the last three. Stanton and Leigh are wild cards, but Leigh has surprised before. Since the 'Slumdog' fever I assume people want a bit of hope and joy, and that makes me think 'Happy-Go-Lucky' could be a stronger contender than people think. So being overly optimistic I say we see Boyle, Fincher, Nolan, Van Sant, Leigh. HA! outside shot Stanton.

Best Actress
1-Sally Hawkins
2-Anne Hathaway
3-Meryl Streep
4-Kate Winslet
5-Angelina Jolie
6-Melissa Leo
7-Kristen Scott Thomas
8-Michelle Williams

How funny that the person leading with precursors coming into this is the one most at risk.
Hathaway and Streep are locks. Take out Williams and you could be looking at a very interesting game for the last 3 slots.
I am not going to be surprised in Jolie is snubbed again, for what many many people think is a lesser performance. Do they really feel the need to make it up to her?
I say Hawkins, Hathaway, Streep, Winslet, Leo. Not that on a limb, but still a good(ish) set. Outside shot Jolie although can still see Williams surprising.

Best Actor
1-Sean Penn
2-Mickey Rourke
3-Frank Langella
4-Richard Jenkins
5-Brad Pitt
6-Clint Eastwood
7-Leonardo DiCaprio
8-Benicio del Torro

This is another interesting race. Penn, Rourke and Langella are locks, easily. Take out del Torro and the last two slots are looking to be filled by 4 actors. I say Eastwood will be nominated. I can just see him pulling an Ed Harris 'Pollock' last minute nom. therefore my crystal ball says Penn, Rourke, Langella, Jenkins, Eastwood outside shot DiCaprio

Best Supporting Actress
1-Penelope Cruz
2-Viola Davis
3-Marisa Tomei
4-Kate Winslet
5-Amy Adams
6-Rosemarie DeWitt
7-Taraji P. Henson
8-Alexis Zegerman

Zegerman is a pipe dream. Most likely so is DeWitt (so sad). Seven Actresses are vying for 5 slots. Will Winslet split votes or not? Who can say? It can go either way for her. She can end up with two noms, 1 nom in lead or supporting or no noms. I really believe that Cruz and Davis are the only locks, with Tomei coming up as a major possibility. I kind of closed my eyes and pointed and came up with Cruz, Davis, Tomei, Winslet, DeWitt. (I say Dewitt pulls a Marcia Gay Harden) outside shot Henson.

Best Supporting Actor
1-Heath Ledger
2-Robert Downey, Jr.
3-Philip Seymour Hoffman
4-Dev Patel
5-Josh Brolin
6-Eddie Marsan
7-Michael Shannon
8-Ralph Feinnes

For being so low on the list Brolin in a lock, as is Ledger (duh!). I am not 100% about Downey, Jr. and Hoffman, but they are very likely as well. Feinnes and Shannon are very dark horses indeed....so dark I can hardly see them. That leaves Marsan and Patel. A Marsan nom would be great (how can they watch the film and not write down his name?), but would not surprise me all that much, same with Patel. Um.....Ledger, Downey, Jr., Hoffman, Patel, Brolin outside shot Marsan.

To be honest I will be watching live, expecting to very very disappointed come nomination day. No Batman, no Sally, no Marsan, no Leo, no Stanton no film to really get behind.
So wearing my heart on my sleeve is the only way I can get through it....I mean it is a nail biter ripe with disappointments isn't it?

Best Adapted Screenplay

The Curious Case of Benjamin Button
The Dark Knight
Dount
Frost/Nixon
Slumdog Millionaire

alt: The Reader

Best Original Screenplay

Happy-Go-Lucky
Milk
Rachel Getting Married
Vicky Christina Barcelona
WALL-E
alt: In Bruges

Wednesday, 3 December 2008

The Dark Campaign


From The Dark Campaign. Brilliant.

Thursday, 27 November 2008

Oscar – schmoscar.

Why am I so disillusioned with this years race. Most likely because I have seen hardly any of the films. But I just get this feeling that things are going not go my way.
This years big guns all have had detractors. ‘Frost/Nixon’, ‘Revolutionary Road’, ‘Australia’, ‘Doubt’, ‘The Curious Case of Benjamin Button’ and ‘Changleing’ have been all met with a few loud nay-sayers. ‘Milk’ seems to be the only big film that has survived and is actually better than people originally thought.

Out of the ashes there are films that were not really on any ones radar at the beginning of the year. ‘The Wrestler’, ‘Rachel Getting Married’, ‘The Dark Knight’, ‘Slumdog Millionaire’ to name but a few. Usually this would cause me great excitement. But alas it does not.

At this moment it seems life has finally overtaken obsession (ie: I have been partying way too much). Either that or the damn time it takes for films to get to the UK is all but killing my filmic joys.

sigh

Thursday, 18 September 2008

The Oscar Race and will it change this year?

Slowly the ratings for Oscar have been doing down like Samantha Jones on New York, and you know ace girl goes down a lot. No one is pressing the on botton on their remote to watch the show aside from us lot.
It seems the Academy has sort of got itself into a predicament. Should they continue to reward the smaller critically acclaimed and more artistic films (as they have been of late) or should they celebrate what the populous love?

This is a question that needs an answer that walks a fine line. ‘The Dark Knight’ is critically acclaimed, has huge box office and the people love it. Can it score a best picture nomination even though it is a Super Hero movie? At this moment in time I am thinking it will miss out of BP, but Christopher Nolan will pick up a directing nom, then again the MASSIVE box office could be enough to get it in (out of the top five US domestic grosser’s, 3 (not including TDK) have gotten Best Picture Oscar noms. This is not saying the Academy are money grabbers, in fact they have seemingly been embracing the notion of actually awarding the ‘best’ films of the year, but in these hard times a big earner could sway the vote.

Last year ‘Juno’ was the biggest hit of the bunch, but was also critically acclaimed, so this could in fact be a good sign for ‘The Dark Knight’. However there are a bunch a films that have yet to be seen: ‘Australia’, ‘Doubt’, ‘Revolutionary Road’, ‘Frost/Nixon’, ‘The Soloist’, ‘The Curious Case of Benjamin Button’, ‘The Reader’, ‘Body of Lies’, ‘The Road’ and ‘Milk’. You have to plan on at least 2 or 3 of these films making the short list.

Then you have the films that have been screened to extremely positive reviews: ‘The Wrestler’, ‘Changeling’, ‘Slumdog Millionaire’, ‘The Hurt Locker’, ‘Happy-Go-Lucky’ and ‘Rachel Getting Married’.
These all have a chance at making the final 5 as well.

To be honest this is one of the most exciting years for B.P. I can remember. Even the films that have had poor to ok reviews on ‘AICN’ could be re-edited and stand a chance: ‘Valkyrie’, ‘Nothing but the Truth’ and ‘Defiance’ are a few of these.

Plus there are always those films that are never on any ones radar that come out of nowhere.

I am going to have to seriously think about what to put in the top 10 this time around. A top five is near impossible at this time considering every film you put in there, you can also easily see falling out. There is no front runner emerging yet, and that is good news for those of us who like an exciting race.

In fact there is not one of those films I have mentioned that I am willing to put money down and say “It will be nominated”. Perhaps I am overly cautious, or perhaps 2008 is going to be a great year for movies. What do you think?

I do think the Academy needs to nominate the more popular movies to gain audience ratings for the ceremony, but not at the expense of the best films of the year. Will ‘The Dark Knight’ and ‘Wall-E’ still be able to stand up at year end as the best of the bunch, or will 5 better films take over the slot? If that happens I will be one happy movie goer.

Thursday, 14 August 2008

"I found out what the secret to life is: Oscars"

I so thought I knew who was going to win this.
I so figured it would be the person I wanted it to be, but it wasn't. But I cannot really argue with the eventual winner.
Sentimentality won out in the end, and don't we all vote with our hearts when the time comes.
This was a rather good year for the Supporting Actress as it is usually the weakest acting category.
The winner (pictured) had a long and illustrious career, but Oscar only really took notice later in it. Always the last ones to jump on the band wagon.

With a disappointing 5% at the bottom of the heap we have Diane Lane in 'Rambling Rose'

In forth place we find Kate Nelligan in 'The Prince of Tides' with 10%
Third place sees the eventual winner Mercedes Ruehl with 18% of the votes for 'The Fisher King'.

The person I so thought would win is in second with 30% of the votes. Little Juliette Lewis in 'Cape Fear'

So the winner is (probably because Dean and Lee voted many times on different computers) is Jessica Tandy for 'Fried Gren Tomatoes' with 38%.

She was a worthy winner I guess, but I was more of a Lewis fan at the time, even if she did sport corn rows.

So onto 1992 Best Actress!

Here are the women you have to choose from:


Catherine Deneuve - Indochine as Eliane
Mary McDonnell - Passion Fish as May-Alice Culhane
Michelle Pfeiffer - Love Field as Lurene Hallett
Susan Sarandon - Lorenzo's Oil as Michaela Odone
Emma Thompson - Howards End as Margaret J. 'Meg' Schlegel

Can Emma out hat Catherine?

Please vote in the poll on the right hand side!

Thursday, 19 June 2008

Will this year be a first?


Let's hope so. Tom O'Neil points us to this over at Gold Derby.
It is about time and judging from the trailer this looks like a very likely nomination. Was she actually passed over for "Moulin Rogue!"?
I am dumb struck!

Wednesday, 6 February 2008

In the valley of boredom wishing there would be blood.

So…why am I still a little BLAH about this years Oscar race? Well the exciting categories for upsets are usually the main 6 (Picture, Director, and the Acting categories) followed closely by screenplay and foreign film. These seem kind of locked right now…..well they more or less are sure things so that leaves the editing and score nail biters?

I DON’T THINK SO.

I want big upsets (not the “Crash” sort mind you) and this year is not shaping up to be that at all. And that is so sad! I want shocks and gasps on Oscar night…………not this year. Actually most of the categories seem pretty predictable. One can always hope for an “Atonement” surge, or Ruby Dee to pull forward, or perhaps a Laura Linney upset. Anything would be good.

But most probably I will be sitting there marking off my ballot sheet, yawning and wishing for the days of upsets.

Wednesday, 16 January 2008

The New Oscar Poster.

What is up with Oscar?

Is he all scared and shaking on his pedestal at the prospects of having to deal with Sweeney Todd, Daniel Plainview, Anton Chigurh, Briony Tallis and Edith Piaf all in one night?

Has the AMPAS finally perfected that Oscar Jello mold?

Is he just a shimmer due to all that magical "Stardust"?

Or did Edna Turnblad just start-a-dancing?

What ever the reason for the apparent shakes, this is the most glitzy, camp, jazz-hands-at-the-ready poster they have done in a while. Please let Liza Minelli sing "Everybody love you Oscar" again!